2.1.11 Rock art references

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Barnett, T 2022 Rethinking rock art in Iron Age Britain, Adoranten 53, 7-75. 

Barnett, T, Ritchie, M and Sharpe, K 2021a A Song in Stone: Exploring Scotland’s Neolithic Rock Art, Forestry and Land Scotland. 

Barnett, T, Valdez-Tullett, J, Bjerketvedt, L M, Alexander, F, Jeffrey, S and Robin, G 2021b Prehistoric Rock Art in Scotland: Archaeology, meaning and engagement, Edinburgh: Historic Environment Scotland. 

Barnett, T, Valdez-Tullett, J, Jeffrey, S, Robin, G, Hoole, M, Bjerketvedt, L M, and Alexander, F 2022 ‘The past, present and future of rock art research in Scotland’, in Mazel, A and Nash, G (eds) Signalling and Performance: Ancient rock art in Britain and Ireland, Oxford: Archaeopress, 10-66.  

Barnett, T, Valdez-Tullett, J, Bjerketvedt, L M, Alexander-Reid, F, Hoole, M, Jeffrey, S, and Robin, G 2024 ‘A multi-scalar methodology for holistic analysis of prehistoric rock carvings in Scotland’, Heritage Science 12(86). https://doi.org/10.1186/s40494-024-01183-8  

Bradley, R 1997 Rock Art and the Prehistory of Atlantic Europe, London: Routledge. 

Bradley, R, Watson, A and Anderson-Whymark, H 2012 ‘Excavations at four prehistoric rock carvings on the Ben Lawers Estate, 2007–2010’, Proceedings of the Society of Antiquaries of Scotland 142, 27-61.  

Bradley, R and Watson, A 2019 ‘Found architecture: interpreting a cup-marked outcrop in the southern Highland of Scotland’, Time and Mind 12(1), 3-31. 

Bradley, R 2023 ‘Long Distance Connections Within Britain and Ireland: the Evidence of Insular Rock Art’, Proceedings of the Prehistoric Society 89, 249-271.

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Card, N and Thomas, A 2012 ‘Painting a picture of the Neolithic: decorated stonework from the Ness of Brodgar, Orkney’, in Cochrane, A and Jones, A M (eds) Visualising the Neolithic: Abstraction, Figuration, Performance, Representation, Oxford: Oxbow Books, 111-124. 

Currie, A 1830 A Description of the Antiquities and Scenery of the Parish of North Knapdale, Argyleshire, by Archibald Currie, Glasgow: W R M’Phun. 

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Fairén-Jiménez, S 2007 ‘British Neolithic Rock Art in its Landscape’, Journal of Field Archaeology 32(3), 283-295. 

Foster, S M 2010 ‘Shaping up rock art in Scotland: past progress, future directions’, in Barnett, T and Sharpe, K (eds) Carving a Future for British Rock Art. New Directions for Research, Management and Presentation, Oxford and Oakville: Oxbow Books, 82-93. 

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Hingley, R 1996 ‘Ancestors and identity in the later prehistory of Atlantic Scotland: The reuse and reinvention of Neolithic monuments and material culture’, World Archaeology 28(2), 231-243. 

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Jeffrey, S, Hale, A, Jones, C, Jones, S and Maxwell, M 2015 ‘The ACCORD project: archaeological community co-production of research resources’, in Giligny, F, Djindjian, F, Coasta, L, Moscati, P and Robert, S (eds) CAA 2014—21st Century Archaeology: Concepts, Methods and Tools. Proceedings of the 42nd Annual Conference on Computer Applications and Quantitative Methods in Archaeology, Oxford: Archaeopress, 289-295. 

Jones, A M 2006 ‘Animated images: images, agency and landscape in Kilmartin Argyll, Scotland’, Journal of Material Culture 11, 211-225. 

Jones, A M 2009 ‘Breaking Down and Cracking Up: rock art and the materiality of stone in Kilmartin, Argyll, Scotland’, in O’Connor, B, Cooney, G and Chapman, J (eds) Materialitas: working stone, carving identity, Oxford: Oxbow Books, 161-168. 

Jones, A M, Freedman, D, O’Connor, B, Lamdin-Whymark, H, Tipping, R and Watson, A 2011 An Animate Landscape: Rock art and the prehistory of Kilmartin, Argyll, Scotland, Oxford: Windgather Press. 

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Lorenzo-Ruza, R S 1952 ‘Origen de los Petroglifos gallego atlánticos’, Zephyrus, III (2), 125-149.  

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MacWhite, E 1951 Estudios sobre las relaciones Atlanticas de la peninsula Hispanica en la Edad del Bronze, Madrid: Publicaciones del Seminatio de Historia Primitiva del Hombre.

Meakin, A M B 1909 Galicia. The Switzerland of Spain, London: Methuen & Co.  

Morris, R W B 1979 The Prehistoric Rock Art of Galloway and the Isle of Man, Poole: Blandford Press. 

Morris, R 1981 The Prehistoric Rock Art of Scotland (except Argyll and Galloway), BAR, Oxford: Archaeopress.

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O’Connor, B 2006 Inscribed Landscapes: Contextualising prehistoric rock art in Ireland, PhD Thesis, University College Dublin. 

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Thomas, A 2016 Art and Architecture in Neolithic Orkney: Process, Temporality and Context, UHI Archaeology Institute Research Series (1), Oxford: Archaeopress. 

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Valdez-Tullett, J 2019 Design and Connectivity: The case of Atlantic Rock Art. BAR International Series 2932, Archaeology of Prehistoric Art 1, Oxford: BAR Publishing. 

Valdez-Tullett, J 2020 ‘Connectivity and the Making of Atlantic Rock Art’, in Back-Danielsson, I and Jones, A M (eds) Images in the Making, Manchester: Manchester University Press, 104-119. 

Valdez-Tullett, J 2021 ‘An Integrated Methodology for the Study of Atlantic Rock Art’, in Domingo-Sanz, I and Gallinaro, M (eds) ‘Impacts of Scientific Approaches on Rock Art research: global perspectives’, Quaternary International Journal, 572, 139-150. 

van Hoek, M A M 1995 Morris’ Prehistoric Rock Art of Galloway, privately published.  

van Hoek, M A M 1997 ‘The distribution of cup-and-ring motifs along the Atlantic seaboard of Europe’, Rock Art Research 14(1), 3-17. 

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