Future Thinking on Carved Stones in Scotland: Case Studies

Case Study 1: Making a difference: the Govan Stones

Case Study 2: Bullauns and taxonomy

Case Study 3: Graveyard recording

Case Study 4: The Canmore Early Medieval Sculpture Upgrade Project

Case Study 5: The tomb of Robert the Bruce

Case Study 6: The ACCORD project, community co-production

Case Study 7: Imaging techniques: the ‘Making a Mark’ project

Case Study 8: Materiality, Authenticity and Value: the wider implications of science-based conservation of carved stone

Case Study 9: Magnetic susceptibility: a non-destructive geological technique used in provenancing carved stones

Case Study 10: STONE Project, Edinburgh College of Art

Case Study 11: Donside: early medieval carved stones in a landscape context

Case Study 12: Faith in Cowal: a pilgrimage project and an early medieval cross

Case Study 13: The craft of carved stone replicas

Case Study 14: Early medieval sculptured stone and the production of social value

Case Study 15: Celtic Revival gravemarkers in Scotland

Case Study 16: The Hilton of Cadboll cross-slab: a complex and fragmented biography

Case Study 17: Glazed monument shelters

Case Study 18: Strength in disciplinary collaboration: early medieval examples

Case Study 19: Cradle of Scotland exhibition

Case Study 20: Edinburgh Graveyards Scoping Report

Case Study 21: Elgin Cathedral Redisplay Project 

Case Study 22: Crail Kirkyard, Fife: histories in wood and stone

Case Study 23: Rhynie Woman and community engagement

Case Study 24: Creative archaeological visualization of the rock art at Ballochmyle

Case Study 25: The Kelsae Stane

Case Study 26: Iona Abbey and Kirkmadrine

Case Study 27: Investigating our carved stone heritage: resources to support learning and engagement

Case Study 28: Information management and online discovery

Case Study 29: Community engagement with rock art: the Northumberland and Durham Rock Art Project

Case Study 30: HES Canmore Early Medieval Sculpture Upgrade Project

Case Study 31: The value of metric drawing

Case Study 32: The Stone of Scone

Case Study 33: Rodney’s Stone, Brodie Castle: weaving together conservation, art and education

Case Study 34: Graffiti: meaning and value in the context of carved stones

Case Study 35: Buried tombstones

Case Study 36: Wemyss Caves

Case Study 37: Condition monitoring at the rock art at Ormaig

Case Study 38: The Picts: a learning resource―an inclusive approach to integrating archaeology and the Curriculum for Excellence

Case Study 39: Auchnaha cairn in Cowal, and its cross-carved stone

Case Study 40: The Cochno Stone: the contemporary archaeology of rock-art

Case Study 41: Reading the unreadable: use of photogrammetry on a 16th-century inscription at Kirkmichael, Black Isle