{"id":685,"date":"2025-03-04T15:40:51","date_gmt":"2025-03-04T15:40:51","guid":{"rendered":"https:\/\/scarf.scot\/incascot\/?page_id=685"},"modified":"2025-04-07T14:38:40","modified_gmt":"2025-04-07T14:38:40","slug":"about-us","status":"publish","type":"page","link":"https:\/\/scarf.scot\/incascot\/about-us\/","title":{"rendered":"About us"},"content":{"rendered":"\n<p>The International Network for Contemporary Archaeology in Scotland (INCA Scot) is a project funded by the Royal Society of Edinburgh. The original project was a two-year collaborative effort which established a network of academics and arts practitioners, community activists and a diverse range of heritage sector participants, to address the challenges that Scotland and other nations face in the 3rd millennium.<\/p>\n\n\n\n<p>The project is led by Dr Alex Hale (HES), Dr Kenny Brophy (University of Glasgow), Dr Antonia Thomas (UHI) and Dr Gavin MacGregor (Archaeology Scotland).<\/p>\n\n\n\n<p><strong>Acknowledgements<\/strong><\/p>\n\n\n\n<p>INCA Scot is a truly collaborative and interdisciplinary project, and we would like to thank our contributors, including:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Dr Oscar Aldred (Archaeologist, Cambridge Archaeology Unit, University of Cambridge)<\/li>\n\n\n\n<li>Dr Jennifer Allison (Research Officer, Society of Antiquaries of Scotland)<\/li>\n\n\n\n<li>Dr Jaime Almansa S\u00e1nchez (Archaeologist, Universidad de Santiago de Compostela)<\/li>\n\n\n\n<li>Professor Christine Borland (Artist, University of Northumbria)<\/li>\n\n\n\n<li>Susan Brind (Artist, Glasgow School of Art)<\/li>\n\n\n\n<li>Dr Kimm Curran (Honorary Research Fellow, University of St Andrews)<\/li>\n\n\n\n<li>Alec Finlay (Artist, Scotland)<\/li>\n\n\n\n<li>Dr Ursula Frederick (Artist and archaeologist, Australian National University)<\/li>\n\n\n\n<li>Reading Landscape research group (Glasgow School of Art)<\/li>\n\n\n\n<li>Evelyn Godfrey (Decolonise Archaeology, Adjunct Professor, Queen\u2019s University, Kingston, Canada)<\/li>\n\n\n\n<li>Jim Harold (Artist, Glasgow School of Art)<\/li>\n\n\n\n<li>Professor Cornelius Holtorf (UNESCO Chair on Heritage Futures, Linnaeus University, Sweden)<\/li>\n\n\n\n<li>Dr Alexandra Jones (Archaeology in the Community, Washington, D.C., USA)<\/li>\n\n\n\n<li>Birthe Jorgensen (Artist, University of Lund, Sweden)<\/li>\n\n\n\n<li>Dr Rachael Kiddey (Lecturer in Heritage &amp; Museum Studies, University of Plymouth; Affiliated Lecturer, University of Cambridge)<\/li>\n\n\n\n<li>Daniel Lee (Archaeologist and artist, Orkney Research Centre for Archaeology; Contemporary and Historical Archaeology in Theory board member)<\/li>\n\n\n\n<li>Dr Laura MacAtackney (Associate Professor, Department of Archaeology and Heritage Studies, Aarhus University)<\/li>\n\n\n\n<li>Dr Churnjeet Mahn (Reader in English Literature, University of Strathclyde)<\/li>\n\n\n\n<li>Dr Mhairi Maxwell (Assistant Curator, V&amp;A Museum of Design, Dundee) <\/li>\n\n\n\n<li>Laima Nomeikaite (Researcher, Norsk institutt for kulturminneforskning NIKU, Norway)<\/li>\n\n\n\n<li>Hannah McLean (Archaeologist, University of Glasgow)<\/li>\n\n\n\n<li>Dr Hilary Orange (Contemporary and Historical Archaeology in Theory chair, University of Swansea)<\/li>\n\n\n\n<li>Dr Lizzie Robertson (Archaeologist, University of Glasgow)<\/li>\n\n\n\n<li>Dr Helen Spencer (Head of Research, Society of Antiquities of Scotland)<\/li>\n\n\n\n<li>Dr Edward Stewart (Archaeologist; CVARF Engagement Officer, Archaeology Scotland)<\/li>\n\n\n\n<li>Dr Joana Valdez-Tullett (Archaeology and Gender in Europe, European Association of Archaeologists)<\/li>\n<\/ul>\n\n\n\n<p><strong>INCA Scot project report<\/strong><\/p>\n\n\n\n<p>If you would like to learn more about the RSE funded INCA Scot project, you can download the full project report <a href=\"https:\/\/scarf.scot\/incascot\/wp-content\/uploads\/sites\/38\/2025\/03\/RSE-_2021-23-Final-_Report_Alex-Hale.pdf\">here<\/a>. <\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The International Network for Contemporary Archaeology in Scotland (INCA Scot) is a project funded by the Royal Society of Edinburgh. The original project was a two-year collaborative effort which established a network of academics and arts practitioners, community activists and a diverse range of heritage sector participants, to address the challenges that Scotland and other [&hellip;]<\/p>\n","protected":false},"author":622,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-685","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/scarf.scot\/incascot\/wp-json\/wp\/v2\/pages\/685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/scarf.scot\/incascot\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/scarf.scot\/incascot\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/scarf.scot\/incascot\/wp-json\/wp\/v2\/users\/622"}],"replies":[{"embeddable":true,"href":"https:\/\/scarf.scot\/incascot\/wp-json\/wp\/v2\/comments?post=685"}],"version-history":[{"count":8,"href":"https:\/\/scarf.scot\/incascot\/wp-json\/wp\/v2\/pages\/685\/revisions"}],"predecessor-version":[{"id":748,"href":"https:\/\/scarf.scot\/incascot\/wp-json\/wp\/v2\/pages\/685\/revisions\/748"}],"wp:attachment":[{"href":"https:\/\/scarf.scot\/incascot\/wp-json\/wp\/v2\/media?parent=685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}